TEAR: TORN
Avi Sagi by
Avi Sagi is Professor of Philosophy at Bar Ilan University in Ramat Gan, Israel, and Senior Fellow at the Shalom Hartman Institute in Jerusalem, Israel. A philosopher, literary critic, scholar of cultural studies, historian and philosopher of halakhah, public intellectual, social critic, and educator, Sagi has written most lucidly on the challenges that face humanity, Judaism, and Israeli society today. As an intertextual thinker, Sagi integrates numerous strands within contemporary philosophy, while critically engaging Jewish and non-Jewish philosophers. Offering an insightful defense of pluralism and multiculturalism, his numerous writings integrate philosophy, religion, theology, jurisprudence, psychology, art, literature, and politics, charting a new path for Jewish thought in the twenty-first century.
Call Number: B5800 .A95 2015ISBN: 9789004280809Publication Date: 2015-01-23
Artwork of the Mind by
Adopting an interdisciplinary approach, this work explains the phenomenon of insight, providing teachers with a deeper understanding of the goal of writing which they espouse. It is intended for use in graduate courses in writing research, composition theory and writing instruction.
Call Number: BF449.5 M87 1995ISBN: 1881303632Publication Date: 1995-04-01
Atmospheres by
Originally published in Italian in 2010, this book is the first to address the theory of atmospheres in a thorough and systematic way. It examines the role of atmospheres in daily life, and defines their main characteristics. Outlining the typical phenomenological situations in which we experience atmospheres, it assesses their impact on contemporary aesthetics. It puts forward a philosophical approach which systematises a constellation of affects and climates, finds patterns in the emotional tones of different spaces (affordances) and assesses their impact on the felt body. It also critically discusses the spatial turn invoked by several of the social sciences, and argues that there is a need for a non-psychologistic rethinking of the philosophy of emotions. It provides a history of the term 'atmosphere' and of the concepts anticipating its meaning (genius loci, aura, Stimmung, numinous, emotional design and ambiance), and examines the main ontological characteristics of atmospheres and their principal phenomenological characteristics. It concludes by showing how atmospheres affect our emotions, our bodies' reactions, our state of mind and, as a result, our behaviour and judgments. Griffero assesses how atmospheres are more effective than we have been rationally willing to admit, and to what extent traditional aesthetics, unilaterally oriented towards art, has underestimated this truth.
Call Number: BH301.S65 G7513 2014ISBN: 9781472421722Publication Date: 2014-06-11
The Anthropology of Religious Charisma by
According to Max Weber, charisma is opposed to bureaucratic order. This collection reveals the limits of that formula. The contributors show how charisma is a part of cultural frameworks while retaining its ecstatic character among American and Italian Catholics, Syrian Sufis, Taiwanese Buddhists, Hassidic Jews, and Amazonian shamans, among others.
Call Number: GN470 .A56 2013ISBN: 9781137377623Publication Date: 2013-12-18
Beyond Rationalism by
This book seeks a reconsideration of the phenomenon of sorcery and related categories. The contributors to the volume explore the different perspectives on human sociality and social and political constitution that practices typically understood as sorcery, magic and ritual reveal. In doing so the authors are concerned to break away from the dictates of a western externalist rationalist understanding of these phenomena without falling into the trap of mysticism. The articles address a diversity of ethnographic contexts in Africa, Asia, the Pacific and the Americas.
Call Number: GN475 .B49 2003ISBN: 1571814183Publication Date: 2003-02-15
Seeing Ourselves by
This richly diverse exploration of female artists and self-portraits is a brilliant and poignant demonstration of originality in works of haunting variety. The two earliest self-portraits come from 12th-century illuminated manuscripts in which nuns gaze at us across eight centuries. In 16th-century Italy, Sofonisba Anguissola paints one of the longest series of self-portraits, spanning adolescence to old age. In 17th-century Holland, Judith Leyster shows herself at the easel as a relaxed, self-assured professional. In the 18th century, artists from Elisabeth Vig#65533;e-Lebrun to Angelica Kauffman express both passion for their craft and the idea of femininity; and in the 19th the salons and art schools at last open their doors to a host of talented women artists, including Berthe Morisot, ushering in a new and resonant self-confidence. The modern period demolishes taboos: Alice Neel painting herself nude at eighty, Frida Kahlo rendering physical pain, Cindy Sherman exploring identity, Marlene Dumas dispensing with all boundaries. The full verve of Frances Borzello's enthralling text, and the hypnotic intensity of the accompanying self-portraits, is revealed to the full in a completely revised edition of this inspiring book.
Call Number: N71 .B673 2016ISBN: 9780500239469Publication Date: 2016-05-17
The Psychology of Artists and the Arts by
This book offers the first comprehensive examination of the psychodynamic theories of artistic creativity and the arts. Neither oversimplifying the complexity of these theories, nor bogging down in pedantic discourse, it honors the depth and richness of the work of Freud, Adler, Kris, Reich, Jung, and several lesser-known theorists, while making their theories readily accessible to the educated reader. After discussing the role of theory, the work offers each concept as a readily usable template for describing and understanding a work of art, whether painting, sculpture, music, dance, film, poetry, or prose. With these theories at hand, anyone interested in the arts will possess a far richer vocabulary for describing the artistic experience and a deeper understanding of the artist's creativity.
Call Number: N71 .S62 2012ISBN: 9780786468133Publication Date: 2012-03-22
Signs of Psyche in Modern and Postmodern Art by
Signs of Psyche in Modern and Post-Modern Art examines the psychological dimension of visual culture in the twentieth century. Analysing the ways in which psychoanalysis can be used to understand art and culture, Donald Kuspit argues that modern art affirms subjectivity, whereas postmodern art, which is characterised as cynical and glamorous, denies it while, paradoxically, being unable to escape it. Assessing the depth-psychological implications of works by, among others, Paul Gauguin, Henri Matisse, Andr Breton, Anselm Kiefer, and Gerhard Richter, this study persuasively demonstrates how the methods of psychoanalysis can be used to probe art works created at critical junctures of this century.
Call Number: N72.P74 K87 1993ISBN: 0521440564Publication Date: 1993-09-24
The Haunted Self by
The question, "Who am I?" resounded throughout the surrealist movement. The exploration of dreams and the unconscious prompted surrealists to reject the notion of a unified, indivisible self by revealing the subject to be haunted by otherness and instability. In this original book David Lomas explores the surrealist concepts of the self and subjectivity from a psychoanalytic viewpoint. Employing a series of case studies devoted to individual artists, Lomas arrives at a radically new account of surrealist art and its cultural and intellectual roots. Weaving together psychoanalytic and historical material, the author analyzes works by such artists as Ernst, Dali, Masson, Miro, and Picasso with regard to such themes as automatism, hysteria, the uncanny, and the abject. Lomas focuses closely on individual artworks, examines the specific circumstances in which they were produced, and offers new insights into the artists and their projects as well as the theories of Bataille, Breton, and others. Lomas demonstrates the powerful connection between the history of psychoanalysis and the history of surrealism, and along the way he shows the unique value of psychoanalytic theory as a tool for the art historian.
Call Number: N72.P74 L66 2000ISBN: 0300088000Publication Date: 2001-02-08
Animism and Shamanism in Twentieth-Century Art by
Wassily Kandinsky, Max Ernst, Jackson Pollock, and Joseph Beuys were the leading artists of their generations to recognize the rich possibilities that animism and shamanism offered. While each of these artists' connection with shamanism has been written about separately, Evan Firestone brings the four together in order to compare　their individual approaches to anthropological materials and to define similarities and differences between them. The author's close readings　of their works and examination of the relevant texts available to them reveal fresh insights and new perspectives.The importance of indigenous beliefs in animism for Kandinsky's 　philosophy of　art and practice, especially the animism of inanimate objects, is analyzed for the first time in conjunction with his well-known enthusiasms for Symbolism and Theosophy. Ernst's collage novel, La femme 100 tetes (1929), previously found to have significant alchemical content, also is shown to extensively utilize shamanism, thereby merging different branches of the occult that prove to have remarkable similarities. The in-depth examination of Pollock's works, both known and overlooked for shamanic content, identifies textual sources that heretofore have escaped notice. Firestone also demonstrates how shamanism was employed by this artist to express his desire for healing and transformation. The author further argues that the German edition of Mircea Eliade's Shamanism: Archaic Techniques of Ecstasy (1957) helped to revitalize Beuys's life and art, and that his ecological campaigns reflected a new consciousness later termed ecoanimism.
Call Number: N72.R4 F56 2017ISBN: 9781472477347Publication Date: 2016-10-10
Sounding the Depths by
Theologians and artists reflect here, in a series of essays, on how theology and the arts can be mutually enriching and beneficial. The contributors argue that it is part of theology's "calling" to engage with culture, particularly the arts, and that it is not in fact "true" theology unless it does so. The essays cover such topics as drama, cathedral art, poetry and music; the contributors include Tom Wright, Rowan Williams and David Ford.
Call Number: N72.R4 S68 2002ISBN: 0334028701Publication Date: 2012-12-01
Nocturne by
"Nobody who has not taken one can imagine the beauty of a walk through Rome by full moon," wrote Goethe in 1787. Sadly, the imagination is all we have today: in Rome, as in every other modern city, moonlight has been banished, replaced by the twenty-four-hour glow of streetlights in a world that never sleeps. Moonlight, for most of us, is no more. So James Attlee set out to find it. Nocturne is the record of that journey, a traveler's tale that takes readers on a dazzling nighttime trek that ranges across continents, from prehistory to the present, and through both the physical world and the realms of art and literature. Attlee attends a Buddhist full-moon ceremony in Japan, meets a moon jellyfish on a beach in Northern France, takes a moonlit hike in the Arizona desert, and experiences a lunar eclipse on New Year's Eve atop the snowbound Welsh hills. Each locale is illuminated not just by the moonlight he seeks, but by the culture and history that define it. We learn about Mussolini's pathological fear of moonlight; trace the connections between Caspar David Friedrich, Rudolf Hess, and the Apollo space mission; and meet the inventors of the Moonlight Collector in the American desert, who aim to cure all kinds of ailments with concentrated lunar rays. Svevo and Blake, Whistler and Hokusai, Li Po and Marinetti are all enlisted, as foils, friends, or fellow travelers, on Attlee's journey. Pulled by the moon like the tide, Attlee is firmly in a tradition of wandering pilgrims that stretches from Basho to Sebald; like them, he presents our familiar world anew.
Call Number: N8225.M59 A85 2011ISBN: 9780226030968Publication Date: 2011-03-15
On Perfection by
Based on a 2012 symposium on Perfection, held at the Whitechapel Gallery in East London, this book explores the ways in which artists engage with ideas of perfection, drawing on screenings, performances, and discussions. The symposium featured the work of an eclectic group of artists and writers, who use photographic lenses of many kinds to create works that engage with or disrupt ideas of perfection. Framed from an artist's perspective and spanning a diverse range of artworks that question how these ideas shape our personal identities and our social and political systems, On Perfection considers the multifaceted nature of lens-based practices.
Call Number: TR642 .O6 2012ISBN: 9781841507101Publication Date: 2013-10-15
The Significance of Beauty by
In the Critique of Judgment, Kant argues that feeling is part of the system of the mind. Judgments of taste based on feeling are a unique kind of judgment, and the feeling that is their foundation forms an independent third power of the mind. Feeling has a special role within this system in that it also provides a transition between the other two powers of the mind, cognition and desire. Matthews argues that feeling, our experience of beauty, provides a transition because it orients humans in a sensible world. Judgments of taste help overcome the difficulties that arise when rational cognitive and moral ends must be pursued in a sensible world. Matthews demonstrates how feeling, disassociated from rational activities in Kant's earlier works, is now central in reaching rational ends and understanding humans as unified rational beings. Audience: This book would be of interest to research libraries and university libraries, philosophers, historians and aestheticians.
Call Number: B2799.M52 M37 1997ISBN: 0792347641Publication Date: 1997-11-30
Kant's Principle of Personality by Call Number: B2799.P4 J65 1971ISBN: 0299060209Publication Date: 1971-12-01
Aesthetics Across the Color Line by Call Number: B3318.A4 W56 2002ISBN: 0742513904Publication Date: 2002-10-09UNCONVENTIONAL THERAPY When a tragic accident landed Frank Chambers in the hospital, all he wanted was to be left alone. His hands were injured, his livelihood destroyed. How could he face life-or his well-meaning family-again? Then pert occupational therapist Jenny Michaels waltzed into his room prepared to bully and badger him until he was well on the road to recovery. And though Frank claimed he didn't want her pity, he soon discovered that what he wanted more than anything was her love....
DADA, Surrealism, and the Cinematic Effect by
This book deals with the early intellectual reception of the cinema and the manner in which art theorists, philosophers, cultural theorists, and especially artists of the first decades of the twentieth century responded to its advent. While the idea persists that early writers on film were troubled by the cinema's lowly form, this work proposes that there was another, largely unrecognized, strain in the reception of it. Far from anxious about film's provenance in popular entertainment, some writers and artists proclaimed that the cinema was the most important art for the moderns, as it exemplified the vibrancy of contemporary life. This view of the cinema was especially common among those whose commitments were to advanced artistic practices. Their notions about how to recast the art media (or the forms forged from those media's materials) and the urgency of doing so formed the principal part of the conceptual core of the artistic programs advanced by the vanguard art movements of the first half of the twentieth century. This book, a companion to the author's previous, Harmony &Dissent, examines the Dada and Surrealist movements as responses to the advent of the cinema.
Call Number: N72.M6 E44 2013ISBN: 9781554586257Publication Date: 2013-08-06
Installation and the Moving Image by
Film and video create an illusory world, a reality elsewhere, and a material presence that both dramatizes and demystifies the magic trick of moving pictures. Beginning in the 1960s, artists have explored filmic and televisual phenomena in the controlled environments of galleries and museums, drawing on multiple antecedents in cinema, television, and the visual arts. This volume traces the lineage of moving-image installation through architecture, painting, sculpture, performance, expanded cinema, film history, and countercultural film and video from the 1960s, 1970s, and 1980s. Sound is given due attention, along with the shift from analogue to digital, issues of spectatorship, and the insights of cognitive science. Woven into this genealogy is a discussion of the procedural, political, theoretical, and ideological positions espoused by artists from the mid-twentieth century to the present. Historical constructs such as Peter Gidal's structural materialism, Maya Deren's notion of vertical and horizontal time, and identity politics are reconsidered in a contemporary context and intersect with more recent thinking on representation, subjectivity, and installation art. The book is written by a critic, curator, and practitioner who was a pioneer of British video and feminist art politics in the late 1970s. Elwes writes engagingly of her encounters with works by Anthony McCall, Gillian Wearing, David Hall, and Janet Cardiff, and her narrative is informed by exchanges with other practitioners. While the book addresses the key formal, theoretical, and historical parameters of moving-image installation, it ends with a question: "What's in it for the artist?"
Call Number: N72.M6 E45 2015ISBN: 9780231174503Publication Date: 2015-05-12
The Artist and the Camera by
An exploration of the ways in which some of the most influential artists of the 19th and 20th centuries used photography in their painting and sculpture. Paintings, sculpture and photographs by such artists as Bonnard, Degas, Gauguin, Moreau, Munch, Picasso and Rosso are discussed and reproduced.
Call Number: N72.P5 K67 1999ISBN: 0300081685Publication Date: 1999-11-10
Rethinking the Romance Genre by
Rethinking the Romance Genre examines why the romance genre has proven such an irresistible form for contemporary writers and filmmakers as they approach global issues. In contemporary texts ranging from literary works, to films, to social media, romance facilitates a range of intimacies that offer new feminist models in the age of globalization.
Call Number: PN603 .D38 2013ISBN: 9781137371867Publication Date: 2013-12-05
Image and Mind by
This is a book about the nature of film: about the nature of moving images, about the viewer's relation to film, and about the kinds of narrative that film is capable of presenting. It represents a very decisive break with the semiotic and psychoanalytic theories of film which have dominated discussion. The central thesis is that film is essentially a pictorial medium and that the movement of film images is real rather than illusory. A general theory of pictorial representation is presented, which insists on the realism of pictures and the impossibility of assimilating them to language. It criticizes attempts to explain the psychology of film viewing in terms of the viewer's imaginary occupation of a position within the world of film. On the contrary, film viewing is nearly always impersonal.
Call Number: PN1995 .C795 1995ISBN: 0521453569Publication Date: 1995-09-29
Abject Spaces in American Cinema by
American cinema abounds with films set in prisons, asylums, hospitals and other institutions. Rather than orderly places of recovery and rehabilitation, these institutional settings emerge as abject spaces of control and repression in which adult identity is threatened as a narrative impetus. Exploring the abject through issues as diverse as racism, mental illness or the preservation of bodies for organ donation, this book analyses a range of films including 'The Shawshank Redemption' (1994), 'Full Metal Jacket' (1987) and 'Girl, Interrupted' (1999) through to cult films such as 'Carrie' (1976) and 'Bubba Ho-tep' (2002). By analyzing scenes of horror and disgust within the context of abject space, Frances Pheasant-Kelly reveals how threats to identity manifest in scenes of torture, horror and psychosexual repression and are resolved either though death or through traumatic re-entry into the outside world. This readable and engaging tour of the abject in the institution film will be immensely valuable to students of Film Studies, Critical Theory and Cultural Studies.
Call Number: PN1995.9.A25 P49 2013ISBN: 9781848855977Publication Date: 2013-07-25
The Cinema of Werner Herzog by
Werner Herzog is renowned for pushing the boundaries of conventional cinema, especially those between the fictional and the factual, the fantastic and the real. The Cinema of Werner Herzog: Aesthetic Ecstasy and Truth is the first study in twenty years devoted entirely to an analysis of Herzog's work. It explores the director's continuing search for what he has described as 'ecstatic truth,' drawing on over thirty-five films, from the epics Aguirre: Wrath of God (1972) and Fitzcarraldo (1982) to innovative documentaries like Fata Morgana (1971), Lessons of Darkness (1992), and Grizzly Man (2005). Special attention is paid to Herzog's signature style of cinematic composition, his "romantic" influences, and his fascination with madmen, colonialism, and war.
Call Number: PN1998.3.H477 P73 2007ISBN: 9781905674183Publication Date: 2007-11-19
Women's Camera Work by
Women's Camera Work explores how photographs have been and are used to construct versions of history and examines how photographic representations of otherness often tell stories about the self. In the process, Judith Fryer Davidov focuses on the lives and work of a particular network of artists linked by time, interaction, influence, and friendship--one that included Gertrude K#65533;sebier, Imogen Cunningham, Dorothea Lange, and Laura Gilpin. Women's Camera Work ranges from American women's photographic practices during the nineteenth and early twentieth centuries to a study of landscape photography. Using contemporary cultural studies discourse to critique influential male-centered historiography and the male-dominated art world, Davidov exhibits the work of these women; tells their absorbing stories; and discusses representations of North American Indians, African Americans, Asian Americans, and the migrant poor. Evaluating these photographers' distinct contributions to constructions of Americanness and otherness, she helps us to discover the power of reading images closely, and to learn to see through these women's eyes. In presenting one of the most important strands of American photography, this richly illustrated book will interest students of American visual culture, women's studies, and general readers alike.
Call Number: TR23 .D38 1998ISBN: 0822320541Publication Date: 1998-05-25
America a Collective Portrait, Edited by Waldo Frank, Lewis Mumford, Dorothy Norman, Paul Rosenfeld and Harold Rugg by Call Number: TR140.S7 A7ISBN: 1230339523Publication Date: 2013-09-01
The Art of Photography by
This is a newly revised edition of the classic book The Art of Photography (first published in 1994), which has often been described as the most readable, understandable, and comprehensive textbook on photography. In his accessible style, Barnbaum presents how-to techniques for both traditional and digital approaches. Yet he goes well beyond the technical as he delves deeply into the philosophical, expressive, and creative aspects of photography. This book is geared toward every level of photographer who seeks to make a personal statement through their chosen medium. Bruce Barnbaum is recognized as one of the world’s finest photographers as well as an elite instructor. This newest incarnation of his book, which has evolved over the past 35 years, will prove to be an invaluable photographic reference for years to come. This is truly the resource of choice for the thinking photographer. Filled with over 100 beautiful photographs, as well as numerous charts, graphs, and tables.
Call Number: TR642 .B364 2010ISBN: 9781933952680Publication Date: 2010-12-08
An American Lens by
In An American Lens, Jay Bochner looks at a series of milestones in the development of the American avant-garde that capture a pivotal period in artistic consciousness. He focuses on the multiple roles of Alfred Stieglitz -- as influential gallery owner, photographer, and impresario of the emerging art scene -- at a series of significant moments in his career. These close-ups offer a more intense and expanded understanding of the subject than the familiar long view.Bochner uses these scenes to recreate for today's readers the birth of modernism in America--what it was like to be an audience for the art of the early avant-garde. Moving from frame to frame, he shows us, for example, a single photograph by Stieglitz of a snowy night in 1893 and a short description by Stephen Crane of just such a snowfall; the preparation, the reception, and the aftermath of the famous Armory Show of modern art in 1913; Gertrude Stein's portraits in prose; New York at the dawn of Dada, with Paul Strand, Francis Picabia, and others; and the intersecting paths of Mina Loy, William Carlos Williams, and Marcel Duchamp in 1917. Bochner also examines Stieglitz's three great photographic series: his photographs of Georgia O'Keeffe, of clouds, and of skyscrapers. These sections of the book include many Stieglitz photos, including some rarely seen portraits of O'Keeffe.Stieglitz as impresario and artist achieved an almost mythical status, which some recent critics have worked to deflate -- casting him, for example, as Svengali to Georgia O'Keeffe's spellbound Trilby. Engaging in neither idolatry nor demolition, Bochner looks instead for the truth about the man and the myth. The scenes from American art in An American Lens create a new version of Stieglitz's biography, allowing us to reread his life and the life of his times by focusing intently on what is visible and not so visible in the art he left behind.
Call Number: TR642 .B6267 2005ISBN: 0262025809Publication Date: 2005-10-14
The Contest of Meaning by
Essays discuss the development of photography, and how it promotes class and national interests.
Call Number: TR642 .C66 1989ISBN: 0262022885Publication Date: 1989-12-15
Photography and Play by
The book features eighty-three photographs by such noted artists as Diane Arbus, Eugene Atget, Brassai, Henri Cartier-Bresson, Walker Evans, Andre Kertesz, Bill Owens, Man Ray, Edward Steichen, Joel Sternfeld, Alfred Stieglitz, Weegee, and Garry Winogrand-all of whom documented people at play. The illuminating introductory essay traces the relationship between the growing importance of leisure over the past 150 years and the part that photography has played in changing how we see ourselves."
Call Number: TR642 .G373 2012ISBN: 9781606061077Publication Date: 2012-06-05
The Paradox of Photography by
The Paradox of Photography analyzes the discourse on photography by four of the most important modern French poets and theorists (Baudelaire, Breton, Barthes and Valéry). It stresses in particular the importance of this visual language for the development of both new forms of narrative and original critical studies on issues of representation in art.
Call Number: TR642 .T355 2009ISBN: 9789042026667Publication Date: 2009-01-01
The Radical Camera by
Artists in the Photo League, active from 1936 to 1951, were known for capturing sharply revealing, compelling moments from everyday life. Their focus centered on New York City and its vibrant streets--a newsboy at work, a brass band on a bustling corner, a crowded beach at Coney Island. Though beautiful, the images harbor strong social commentary on issues of class, child labor, and opportunity. The Radical Camera explores the fascinating blend of aesthetics and social activism at the heart of the Photo League, tracing the group's left-leaning roots and idealism to the worker-photography movement in Europe. Influenced by mentors Lewis Hine, Berenice Abbott, and Paul Strand, artists in the Photo League worked within a unique complex comprising a school, a darkroom, a gallery, and a salon, in which photography was discussed as both a means for social change and an art form. The influence of the Photo League artists on modern photography was enormous, ushering in the New York School. Presenting 150 works of the members of the Photo League alongside complementary essays that offer new interpretations of the League's work, ideas, and pedagogy, this beautifully illustrated book features artists including Margaret Bourke-White, Sid Grossman, Morris Engel, Lisette Model, Ruth Orkin, Walter Rosenblum, Aaron Siskind, W. Eugene Smith, and Weegee, among many others.
Call Number: TR645.N532 J394 2011ISBN: 9780300146875Publication Date: 2011-12-27
Documenting a Myth by
A catalogue of a show of photos presented at Douglas F. Cooley Memorial Art Gallery, Reed College, Portland, Oregon, in spring 1998. The exhibition represents the work of three women who independently of each other photographed in the American South during the 1920s and 1930s. Two essays complement
Call Number: TR645.P672 D683 1998ISBN: 0295977671Publication Date: 1999-03-01
Romantic Poets, Critics, and Other Madmen by
Few can match Charles Rosen's cultivation and discernment, whether as pianist, music historian, or critic. Here he gives us a performance of literary criticism as high art, a critical conjuring of the Romantic period by way of some of its central texts. "What is the real business of the critic?" Rosen asks of George Bernard Shaw in one of his essays. It is a question he answers throughout this collection as he demonstrates and analyzes various critical approaches. In writing about the Romantic poets Lord Byron, William Wordsworth, William Cowper, and Friedrich Holderlin, he examines the kind of criticism which attempts to uncover concealed code. He investigates the relationship between Romantic aesthetic theory and artworks, and explores the way Romantic art criticism has been practiced by critics from Friedrich Schlegel to Walter Benjamin. In essays on Honore de Balzac, Robert Schumann, Gustave Flaubert, and others, he highlights the intersections between Romantic art and music; the artist's separation of life and artistic representations of it; and the significance of the established text. With an apt comparison or a startling juxtaposition, Rosen opens whole worlds of insight, as in his linking of Caspar David Friedrich's landscape painting and Schumann's music, or in his review of the theory and musicology of Heinrich Schenker alongside the work of Roman Jakobson. Throughout this volume we hear the voice of a shrewd aesthetic interpreter, performing the critic's task even as he redefines it in his sparkling fashion.
Call Number: PN603 .R66 1998ISBN: 0674779517Publication Date: 1998-09-15
Ecstasy and Understanding by
This collection of research explores the interaction of religious awareness and literary expression in English poetry in the late nineteenth and twentieth centuries. Many different types of poetics may be seen to be at work in the period 1875 to 2005, along with various kinds of religious awareness and poetic expression. Religious experience has a crucial influence on literary language, and the latter is renewed by religious culture. The religious dimension has been a decisive factor of modern English poetic expression of the last hundred years or so. The religious and mystical dimension of poetry of the period is borne out by the focus on, among other things, grace and purgation, the tension between time and eternity, redemption and the demands of eschatology, immanence and transcendence, and conversion and martyrdom. Chapters also explore how church practice and ritual, architecture and liturgy, play into the poetry of the period. This volume offers a comprehensive discussion of this important but often overlooked aspect of modern English poetry.
Call Number: PR585.R4 E37 2008ISBN: 9780826498649Publication Date: 2008-06-03
Sylvia Plath Method and Madness by Call Number: PS3566.L27 Z59ISBN: 0816492530Publication Date: 1983-02-01
Sylvia Plath and Anne Sexton by Call Number: PS3566.L27 Z85ISBN: 0816111464Publication Date: 1976-06-01
Sylvia Plath by
The author shows how Plath's remarkable lyric dramas define a private ritual process. The book deals with the emotional material from which Plath's poetry arises and the specific ritual transformations she dramatizes. It covers all phases of Plath's poetry, closely following the development of image and idea from the apprentice work through the last lyrics of Ariel. The critical method stays close to the language of the poems and defines Plath's struggle toward maturity. Originally published in 1979. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Call Number: PS3566.L27 Z87ISBN: 0807813389Publication Date: 1979-01-01
Syliva Plath by
Talented from the very beginning of her life, Sylvia Plath published her first poem at the age of eight in the ""children's section"" of the Boston Herald. She said of her childhood: ""I want to work at putting together the complex mosaic of my childhood; to practice capturing feelings and experiences from the nebulous seething of memory and yank them out into black-and-white on the typewriter."" Plath won several major prizes in writing and scholarship and her poems are considered today to be the most famous by an American female poet of the 20th Century, especially those in her 1965 collection Ariel. In 1981, Plath's Collected Poems was awarded the Pulitzer Prize for poetry, the first American poet to win this prize after death. This volume in the Critical Insights series presents a variety of new essays on the unconventional American poet. This work will introduce Sylvia Plath to high school and college classrooms. Such introductions are usually conventional: biography, summary of works, and the author's ""place"" in the history of American literature. This title provides such information. Yet, there is nothing ""conventional"" about Sylvia Plath. She is a unique, rare, rebellious and unexpected voice in American literature. Rounding out the volume are a chronology of Plath's life and a list of her principle publications as well as a bibliography for readers seeking to study this fascinating poet in greater depth. Each essay is 2,500 to 5,000 words in length, and all essays conclude with a list of ""Works Cited,"" along with endnotes. Finally, the volume's appendixes offer a section of useful reference resources: About This Volume Critical Context: Original Introductory Essays Critical Readings: Original In-Depth Essays Further Readings Detailed Bibliography Detailed Bio of the Editor General Subject Index
Call Number: PS3566.L27 Z915 2013ISBN: 9781429838337Publication Date: 2013-05-01
Romanticism and Contemporary Criticism by
This volume assembles for the first time material written by Paul de Man between 1954 and 1981, including his previously unpublished Gauss Seminar lectures delivered at Princeton in 1967, three papers on romantic and postromantic issues, a commissioned essay on Roland Barthes, and two substantial responses to papers by Frank Kermode and Murray Krieger. Romanticism and Contemporary Criticism represents de Man's reflections on some of the major texts of English, German, and French Romanticism and their reception in twentieth-century literary criticism and theory. The Gauss Seminar lectures in particular convey de Man's consideration of Romanticism as a distinct form of historical consciousness, and illuminate his conviction that this romantic historical consciousness had been a powerful influence on our own development of a historical identity. De Man had planned to use the Gauss lectures as a basis for a major historical study of Romanticism, but the volume was never completed and de Man eventually abandoned the project. Drawn from four decades of de Man's career, these essays reflect the transition in the critic's work from the thematics and vocabulary of "consciousness" and "temporality" characteristic of his work in the 1960s, to the language-oriented concerns and terminology of his later writings.
Call Number: PN603 .D39 1993ISBN: 0801844606Publication Date: 1992-12-01
Romanticism and Ideology by
A preeminent critic's classic collection available for the first time in paper.
Call Number: PN603 .P393 1995ISBN: 0819562858Publication Date: 1995-04-07
Romanticism Across the Disciplines by
Romanticism Across the Disciplines brings together thirteen essays written by prominent scholars from America and abroad to identify Romanticism's presence outside of one national tradition or a single discourse field. These scholars point out the relationship between Romanticism and the problems of history, the interpretation of the arts, science, philosophy, and culture. They show how the ideas and effects of Romanticism have entered every field of study through their place in life. The presence of many different approaches to Romanticism demonstrate its diversity as a philosophy and provide an opportunity for a wide, deep understanding of Romanticism and its place in the world.
Call Number: PN603 .R564 1998ISBN: 0761811036Publication Date: 1998-06-11
The Relevance of Romanticism by
Since the early 1990s, there has been a resurgence of interest in philosophy between Kant and Hegel, and in early German romanticism in particular. Philosophers have come to recognize that, in spite of significant differences between the contemporary and romantic contexts, romanticismcontinues to persist, and the questions which the romantics raised remain relevant today. The Relevance of Romanticism: Essays on Early German Romantic Philosophy is the first collection of essays that offers an in-depth analysis of the reasons why philosophers are (and should be) concerned withromanticism. Through historical and systematic reconstructions, the collection offers a deeper understanding and more encompassing picture of romanticism as a philosophical movement than has been presented thus far, and explicates the role that romanticism plays - or can play - in contemporaryphilosophical debates.The volume includes essays by a number of preeminent international scholars and philosophers - Karl Ameriks, Frederick Beiser, Richard Eldridge, Michael Forster, Manfred Frank, Jane Kneller, and Paul Redding - who discuss the nature of philosophical romanticism and its potential to addresscontemporary questions and concerns. Through contributions from established and emerging philosophers, discussing key romantic themes and concerns, the volume highlights the diversity both within romantic thought and its contemporary reception. Part One consists of the first published encounter between Manfred Frank and Frederick Beiser, in which the two major scholars directly discuss their vastly differing interpretations of philosophical romanticism. Part Two draws significant connections between romantic conceptions of history,sociability, hermeneutics and education and explores the ways in which these views can illuminate pressing questions in contemporary social-political philosophy and theories of interpretation. Part Three consists in some of the most innovative takes on romantic aesthetics, which seek to bringromantic thought into dialogue, with, for instance, contemporary Analytic aesthetics and theories of cognition/mind. The final part offers one of the few rigorous engagements with romantic conceptions science, and demonstrates ways in which the romantic views of nature, scientific experimentationand mathematics need not be relegated to historical curiosities.
Call Number: B2748.R64 R45 2014ISBN: 9780199976201Publication Date: 2014-04-01
